While these are passable in the score, one problem with this approach is that the symbol tends to drift away from the trill line when the music is respaced, or you view it in a transposed part.įortunately, it’s very straightforward to build these as fixed, combined symbols. I’ve seen a few Sibelius scores where the composer or orchestrator has used the regular trill line, then added a flat, sharp or natural from the Symbols dialog. Sibelius doesn’t include any combined trill symbols by default. For commercial scores, you also frequently see the trill-to note indicated as an intervalic distance, like a ½ step or a whole-tone (wt). Trills containing an intervalic jump larger than a whole step are commonly referred to as “fingered tremolo”, and displayed as pairs of notes with tremolo slashes.Īnother method of displaying trills, which is very common in popular and commercial orchestral music as well as film and video game scores, largely because it is so efficient for entry, is to include a flat, natural or sharp symbol above, or just to the right of the “ tr” symbol. However, for “commercial” scores, this method is somewhat labor-intensive to create in the current software, and furthermore, isn’t completely bulletproof in terms of the trill-to pitch maintaining its horizontal positioning after music spacing. This is an extremely clear and elegant way to present the trill-to information. One way is to indicate the trill-to pitch as a stemless, cue sized note in a parenthesis. There are a couple of common approaches for indicating trills with specific trill-to pitches in your music score.
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